Udstillingen vises i fire rum på stribe, således at der dannes et forløb af skulptursituationer.  Med afsæt i en stram struktur, der tager udgangspunkt i ligeværdighed, er der installeret fire skulpturer i hvert rum. 

The exhibition is presented in four rooms that are situated in a row, with the result that a successive sequence of sculpture situations is established. Taking our mark in a rigorous structure, which in turn takes its point of departure in equilibrium, four sculptures are installed in each of the rooms.

Udstillingen fejrer samtidens mangfoldighed af tilgange til skulptur ved, at tre kunstnere fra den ældre generation samt tre nyere navne er deltagere. Med deres værker, der spænder over såvel små afsnit på gulv som store vægflader, viser udstillingen bredde i både tid og rum.

The exhibition celebrates our contemporary time’s profusion of approaches to sculpture by enlisting the participation of three artists from the older generation and three newer names. With their works, which span across small sections of the floor as well over larger wall surfaces, the exhibition displays breadth — in both time and space.

På udstillingen ‘genskriver’ Anders Bojen og Kristoffer Ørum deres selvbiografier ud fra et matematisk system i en bevægelig, fragmenteret videoinstallation, der skaber en rumlig fortolkning af en ny og ustabil hybrid identitet.

At the exhibition, Anders Bojen and Kristoffer Ørum “rewrite” their autobiographies on the basis of a mathematical system in a movable and fragmented video installation, which establishes a spatial interpretation of a new and unstable hybrid identity.

Billedhugger Tommy Støckel har inviteret fem kunstnere med fodfæste i skulptur til at udstille deres eksperimenter med filmmediet. Det tidslige medie bruges f.eks. til at dokumentere en opbyggende proces. Hos Henriette Heise, der tilsyneladende samler et fjernsyn, men i virkeligheden skiller apparatet ad og blot afspiller filmen baglæns. Filmene er enkle, med én kamerasætning og uden brug af musik eller tale.

The sculptor, Tommy Støckel, has invited five artists who all have a firm foothold in sculpture to exhibit their experiments with the medium of film. This time-bound medium is used, for example, to document a constructive process. We have the work of Henriette Heise, who is apparently assembling a television set,  but is actually taking the apparatus apart and simply playing back the film in reverse. The films are plain and unpretentious, with a single camera setting and without any use of music or speech.

På udstillingen ‘Hun og Hende’kortlægger Elisabeth Toubro og Karin Westerlunds forskellige verdensopfattelser i ét fælles organisk fletværk. Det er værker,der kredser om kønnenes ståsted og stemme i samfundet samt deres indvundne rettigheder. Og publikum får på udstillingen mulighed for at stille Westerlund spørgsmål om alt mellem himmel og jord, herunder hendes egne værker.

At the exhibition, “Hun og Hende”, Elisabeth Toubro’s and Karin Westerlund’s respective views of the world are mapped out in one common organicinterlacing pattern. The works revolve around the genders’ standpoint and voice in society as well as around their newly gained rights. At the exhibition the visiting public gets a chance to ask Westerlund questions about everything under the sun, including questions about her own works.

SKULPTURI udstiller værker af kunstnerne Hans Hemmert (D), Stefan Wissel (D) and Charlotte Thrane (DK) for at sætte fokus på det dynamiske møde mellem leg og alvor. Værkerne præsenteres i forskellige konstellationer, der dog har det til fælles, at de benytter en uhøjtidelig humor.

SKULPTURI has invited artists Hans Hemmert, Stefan Wissel and Charlotte Thrane in order to set a focus on the dynamic encounter between play and seriousness. The works are presented in various constellations; what they have in common, though, is that they make use of an unpretentious humor.