Gennem en række værker, der er beslægtede med arkitektur, installationskunst, design, performance kunst og landskabspleje, er fokus rettet mod forholdet til beskueren og hans / hendes daglige rum. I omfang matcher de enkelte værker udstillingsbygningens monumentale rum, men i kraft af deres sanselighed, deres tilstedeværelse og deres integritet, bliver den monumentale karakter undergravet og erstattet af interaktion og dialog.

Through a number of works that are kindred to architecture, installation art, design, performance art and landscaping, the focus is aimed at the relationship to the viewer and his/her everyday space. To be sure, the individual works, with respect to their scale, match the exhibition building’s monumental halls, but by virtue of their sensuousness, their presence and their integrity, monumental character is subverted and replaced by interaction and dialogue.

Skulpturi.dk lukker som et fast udstillingssted. Det markerer vi ved, at holde en fest fredag den 29. juni med en lang række indslag af forskellige kunstnere. Aftenen vil byde på alt fra lyrikoplæsning over improvisationsmusik til mad-performance af Madeleine's Madteater.

Skulpturi.dk closes down as a permanent exhibition venue. We mark the occasion with a party the 29. of June encompassing a large number of events from several different artists. During the night we had various poetry-readings, musical performances and the dinner was orchestrated by the Madeleines Food Theatre.

Kritisk Form fokuserer på dialogen med det omgivende samfund som skulpturen ansporer.  Den fundamentale tese er at skulpturen ikke længere kun er et æstetisk fænomen, men derimod, siden 60’erne, er blevet en sprogførende arbejdsform, der forholder sig kritisk, men også uhøjtideligt, til det omgivende samfunds aktuelle sociale, politiske og historiske emner. Kurateret af Lars Bent Pedersen

Critical Forms focus on the critical dialogue with the surrounding society which sculpture instigates. The fundamental thesis is that sculpture is no longer simply an aesthetic phenomenon, rather it has, from the sixties on, become an increasingly critical and language based way of exposing and relating to social, political and historical contexts. Curated by Lars Bent Pedersen