8/1 – 5/2 2011

Rosemaria Rex har kurateret en udstilling med fokus på værker, der placerer sig i spændingsfeltet mellem skulptur og fotografi, 2D og 3D, et immaterielt og et konkret rum. Begge medier tager del i tiden — det sker dog på meget forskellig vis. Sammenstillingen af objekt og flade åbner for et tredje,imaginært rum, hvor både billede og fysisk genstand antager nye betydninger — og en ‘tredje tid’, hvori lineære, ‘rationelle’ forløb er erstattet af overlappende eller accelererede tidsafsnit.

Rosemaria Rex has curated an exhibition that focuses on artworks which situate themselves in the field of potential lying between sculpture and photography, between 2D and 3D, between an immaterial and a concrete space. Both mediums take an active part in time — this transpires, though, in very different ways. The juxtaposition of object and surface opens up for a third, imaginary space and a “third time”, in which linear, “rational” progression has been replaced by overlapping or accelerated periods of time.

8/3 – 13/4 2008

Udstillingen kaster lys over dansk processuel skulptur fra 1960’erne til i dag. Samtidsskulpturens procesfokus sættes dermed i et større perspektiv og giver plads til refleksion over flere billedhugger- generationers praksisform.

The exhibition sheds light on Danish processual sculpture as it has evolved from the 1960s up until today. Contemporary sculpture’s processual focus is, in this way, being set into a wider perspective; this provides room for reflection on several sculptor-generations’ form of praxis. 

3/1 - 2/2 2008

Kritisk Form fokuserer på dialogen med det omgivende samfund som skulpturen ansporer.  Den fundamentale tese er at skulpturen ikke længere kun er et æstetisk fænomen, men derimod, siden 60’erne, er blevet en sprogførende arbejdsform, der forholder sig kritisk, men også uhøjtideligt, til det omgivende samfunds aktuelle sociale, politiske og historiske emner. Kurateret af Lars Bent Pedersen

Critical Forms focus on the critical dialogue with the surrounding society which sculpture instigates. The fundamental thesis is that sculpture is no longer simply an aesthetic phenomenon, rather it has, from the sixties on, become an increasingly critical and language based way of exposing and relating to social, political and historical contexts. Curated by Lars Bent Pedersen