9/5 - 16/8 2015

Udstillingen præsenterer et habitat, hvor en række forskellige værker er skabt til den konkrete situation på det konkrete sted og finder en fælles form at ”leve” under for en tid. En situation, der aftegner måder at forholde sig til andre mennesker, rum, tid og sted på. 

The exhibition presents a habitat where various works are created for the specific situation at a specific place and find a common form to "live" in for a while. A situation that is emerging ways of relating to other people, space, time and place.

21/9 - 30/11 2014

Munkeruphus har inviteret SKULPTURI til at befolke Gunnar Aagaard Andersens gamle atelier og bolig med diverse skulpturelle objekter, der viser bredden af de enkelte medlemmers forskellige arbejdsmetoder og materialer, men som samtidig manifesterer gruppens fælles insisteren på hele tiden at udfordre og gentænke skulpturbegrebet. Ligesom den enkelte skulptur i sig selv agerer et møde eller et aktionsfelt, man som beskuer går i samtale med, så er de enkelte medlemmer i Skulpturi ikke kun til i sig selv og for sig selv. De går rundt om skulpturen sammen. Går i dialog og sætter benspænd for hinanden.

Munkeruphus has invited Skulpturi to populate the former studio and residence of Gunnar Aagaard Andersen with sculptural objects illustrating the scope of the various materials and working methods used by individual members. Simultaneously the exhibition manifests the group’s shared insistence on challenging the concept of sculpture. Just as each individual sculpture enacts a meeting or a field of action for the viewer to interact with in its own right, the members of Skulpturi do not exist solely in and of themselves. Together they circumnavigate the field of sculpture, entering into dialogue and occasionally tripping one another up.

26/4 - 22/5 2014

Udstillingen vises i fire rum på stribe, således at der dannes et forløb af skulptursituationer.  Med afsæt i en stram struktur, der tager udgangspunkt i ligeværdighed, er der installeret fire skulpturer i hvert rum. 

The exhibition is presented in four rooms that are situated in a row, with the result that a successive sequence of sculpture situations is established. Taking our mark in a rigorous structure, which in turn takes its point of departure in equilibrium, four sculptures are installed in each of the rooms.

21/4 – 3/6 2013

Gennem en række værker, der er beslægtede med arkitektur, installationskunst, design, performance kunst og landskabspleje, er fokus rettet mod forholdet til beskueren og hans / hendes daglige rum. I omfang matcher de enkelte værker udstillingsbygningens monumentale rum, men i kraft af deres sanselighed, deres tilstedeværelse og deres integritet, bliver den monumentale karakter undergravet og erstattet af interaktion og dialog.

Through a number of works that are kindred to architecture, installation art, design, performance art and landscaping, the focus is aimed at the relationship to the viewer and his/her everyday space. To be sure, the individual works, with respect to their scale, match the exhibition building’s monumental halls, but by virtue of their sensuousness, their presence and their integrity, monumental character is subverted and replaced by interaction and dialogue.

13/4 - 26/5 2013

Udstillingen vises i et næsten hermetisk lukket udstillingsrum i et hus tegnet af Henning Larsens Tegnestue. Et hus hvor kun et ovenlysvindue afslører, at naturen breder sig i alle retninger lige udenfor. Opfordringen til kunstnerne har været at arbejde med en skulptur, der forholder sig til gulvfladen og højst rager én meter op, dels for at skabe et panorama.

The exhibition is being shown in what is an almost hermetically sealed exhibition space inside a building designed by Henning Larsen Architects, a building where only a skylight offers any clue that nature is proliferating in every which way outside.The invitation to the artists has involved a call to work with a sculpture that relates to the floor and does not stand more than one meter in height for the purpose of creating a panorama.

29/06 2012

Skulpturi.dk lukker som et fast udstillingssted. Det markerer vi ved, at holde en fest fredag den 29. juni med en lang række indslag af forskellige kunstnere. Aftenen vil byde på alt fra lyrikoplæsning over improvisationsmusik til mad-performance af Madeleine's Madteater.

Skulpturi.dk closes down as a permanent exhibition venue. We mark the occasion with a party the 29. of June encompassing a large number of events from several different artists. During the night we had various poetry-readings, musical performances and the dinner was orchestrated by the Madeleines Food Theatre.

25/2 - 31/3 2012

Til udstillingen bidrager over 60 kunstnere med hver ét værk — en multiple — i mindst tre editioner. SKULPTURI er for en stund omdannet til et kunstsupermarked, hvor det samme værk — eller den samme ‘vare’ — kan erhverves af flere forskellige købere. Værkerne står side om side på reoler og værkfortegnelsen er udskiftet med en vareliste. Udstillingen gør op med kunstverdenens højtskattede idé om det auratiske unikaværk og lader i stedet kunst og hverdagsliv flette sig ind i hinanden.

For the exhibition, more than 60 artists have been asked to contribute one work each — a multiple – in an edition of at least three copies. For the time being, SKULPTURI is converted into an art supermarket, where the same work — or the same “commodity” — can be acquired by several different buyers. The exhibition settles its own accounts with the art world’s cherished idea about the aura-swathed unique work and allows, instead, art and everyday life to become interspersed with one another.

16/1 – 6/2 2010

Karin Lorentzen har fyldt blomster med gips og herefter trukket støvdragere og kronblade af. Blomstens indre, dens ‘natur’, er med dette greb foreviget i gips, og den skulpturelle form er herefter fastgjort til SKULPTURI’s loft med åbningen opad som en omvendt stuk eller stalaktit-dannelse. På gulvet ligger blomsterrester og nedfalden gips — spor efter arbejdsprocessen.

Karin Lorentzen has filled flowers with plaster and has subsequently pulled off the stamens and the petals. The flower’s interior, its “nature”, has been immortalized in plaster and the sculptural form has hereafter been fastened to the ceiling with the opening facing upwards, in the manner of upside-down stucco or a stalactite formation. On the floor, remnants of flowers and fallen flakes of plaster are lying about — trails left behind in the wake of the working process.

7/2 - 28/2 2009

SKULPTURI er for en stund rykket ud af de vante københavnske omgivelser og ind i Produzentengalerie i Berlin med udstillingen ‘Long Way Home’. Udstillingen kan umiddelbart minde om en møbelbutik med et bredt udvalg af hverdagsobjekter. Funktionen er gået fløjten, og man er pludselig temmelig ‘langt hjemmefra’.

SKULPTURI have, for the time being, moved out from their familiar Copenhagen surroundings and into the Produzentengalerie in Berlin with an exhibition entitled Long Way Home. The exhibition can immediately call to mind a furniture store with a wide assortment of everyday objects. The function has gone kaput and suddenly you’re rather “a long way from home”.

4/5 — 29/6 2008

SKULPTURI indtager lejlighedskomplekset og P-huset ‘VM-Bjerget’ i Ørestad med installationer i fire af lejlighederne. Således sættes der anderledes fokus på nybyggeriet, der er tegnet af arkitekt Bjarke Ingels.

SKULPTURI takes up residence inside the apartment complex and parking garage, “VM-Bjerget” in Ørestad, with installations set up in four of the apartments. In this way, a different kind of focus is pointed at the new building development, which was designed by the architect, Bjarke Ingels.